New in the Etsy shop

We've been having some strange weather today. Just moments ago it was torrential downpour, now it's bright and sunny.

As promised, I've finally added some new items to the shop. One of which is the aforementioned Verdant Skull brooch which turned out very nicely. It's actually available in time for my favorite holiday season: Samhain, Halloween, El Dia de los Muertos, Winter Nights, etc.

The other piece I'd been keeping to myself for a long while. One of the towns which I pass through en route to work holds a yearly carnival. From the road, I can see the tops of the striped tents and that is what inspired this design. It took a while for the whole necklace to come together as this was really the first leather/fiber/metal/bead experiment I've done, but I'm pleased with the results. Since the carnival is in town again, it felt appropriate to post it.

There are additional photos of each piece on Etsy :)

If you've been to the Phée Adornments Etsy shop recently, you may have noticed that something is missing. I'm trying to grow towards a certain aesthetic for my jewelry and leather craft which doesn't exactly mesh with the artwork I am offering at the moment (I'm also a little OCD and like things to be organized into sensible categories!), so I decided to make a separate shop for my art prints and originals. You can now find my available work at www.DesireeIsphording.etsy.com. In addition, I moved the bellydance-specific art (namely ACEOs) to my bellydance shop: www.CarrouselBellydance.etsy.com.

Verdant Skull Brooch in progress

I know, I know... I've been a very bad blogger. I apologize and hope to do better in the coming months. At the very least I'm hoping to provide more in progress photos and visual insights into my design process, so there will be some more images to enjoy. I recently joined the current decade by purchasing an iPhone (the photos it takes are much better than the ones my iPod Touch generated) so that means it will be easier to document new creations before taking the more official, polished photographs for the Etsy listings.

Case in point is a design of a Verdant Skull cameo for a new series of brooches influenced by esoteric and occult imagery.Since the brooches will be relatively small (at a certain point large brooches become too awkward to be functional brooches, in my opinion), it also gives me the opportunity to use up some scrap leather from other projects. I try to always be cognizant that leather was once part of a living being and I don't want to be wasteful. I did some preliminary sketches which were not to scale in a notebook before drafting the design, but the photo below shows the progress from a pencil sketch at the appropriate size, the pattern which I use to transfer the design to leather, and the actual design realized in leather. I recently acquired a new friend for the studio, a Razortip SK pyrography tool, and this is the first time I've combined pyrography with the leather carving I typically do. Now that I have an idea as to what it can do, the possibilities are making me a bit delirious (in a good way)!

What I'm really loving about this brooch series is the prospect of combining leather with various other media. I have some weird fondness for sewing things by hand that I'll get to indulge since I'm going to be layering the leather cameos with felt, lace, trims, etc. Some bead embroidery may also be in the forecast for these. Below you can see the progress made on assembling the actual brooch. I've layered the leather over some vintage lace which I tea-stained, striped trim, and a velvety millinery leaf. I sewed a lovely patina-ed brass key charm below the cameo and added an eyelet so I could dangle a turquoise nugget from the bottom.

I want these brooches to resemble some antique, intricate medals I have seen and I'm really pleased with how this particular one turned out. What the above photo doesn't show is that I've tried to lend a more aged look to the fabric by staining the edges with a sepia-toned ink. I attempted to take some better photos today, so hopefully it won't be long until this piece is listed on Etsy.

Although my time is still divided between a full-time job, an internship, and my various other hobbies and interests, things are slowly falling into place for me and that means I have more motivation and energy to make things.

Truth be told, I've also been holding out a bit on listing some new items until I figured out a new logo and identity for this endeavor. My work has changed so much since I first starting making jewelry several years ago, and I've outgrown my old branding. There were some items I did not want to present until I had something new to replace it. I think I've finally hammered out a design I'm pleased with although I still need to do some additional work before finalizing a new business card, etc. but I feel more comfortable posting those items.

I wanted to share the second version of my Peacock Feather cuff bracelet as an opportunity to discuss reserved listings. I had just carved and tooled the leather portion of this cuff when someone contacted me to ask about the previous version I had made. The timing worked out perfectly. I finished the cuff and listed it on reserve for her, and hopefully she's wearing it right now :)

While I'm not taking custom orders at this time, if there is an in progress piece shown here that hasn't yet been posted on Etsy which catches your eye, I'm willing to temporarily reserve it for you once it is listed for sale. Please contact me via email or Etsy conversation to discuss this option. Reserves of this kind are on a first come, first serve basis and if you do not purchase the item within the specified time period, I will remove the reserve so potentially anyone can purchase it.

In the Spirit of Halloween

I decided to try my hand at making a Treasury to highlight some of my favorite dark and autumnal handmade goodies on Etsy (I wish I could have included more items but there is a limit): In the Spirit of Halloween. I like to take any opportunity to revel in some Halloween ambiance. Trick or treat!

Not So Frida

I started work on what I hoped would be my pièce de résistance for the upcoming craft show: a bib-style, intricately-tooled statement necklace featuring a portrait of a notable Mexican artist whose life and work I find intriguing. Although I'm well-versed in drawing the human face, this is only my second attempt at carving and tooling a semi-realistic one in leather (I would consider my first attempt to be the La Catrina necklace). I thought it was going fairly well but when I started on the painting stage I realized that the likeness was only rather vague at best. The jawline should be more square, the arc of the eyebrows is off, the nose is too broad, etc. The image itself is turning out well, but not if I expect people to immediately recognize it as a portrait of a particular person.

I guess I shouldn't be so surprised. Unless you're drawing a caricature, achieving a likeness is an exercise in subtlety. Even a small shift in the contours of the features or a minor, unintentional change that affects the proportions throws it all off. When designing and creating a piece like this in leather, there are so many stages from the original sketch to the finished piece that sometimes things get lost in translation.

(1) First is the pencil sketch which is then inked to determine the final lines (2). Then I take tracing film and trace the drawing onto it (3) to make the re-usable pattern. From here, the pattern is transferred to the cased leather with a stylus (4) after which it is carved with the swivel-knife (5) and then tooled (6).

Normally a slight change from drawing to tooled piece isn't a big deal. It happens all the time so even if I use the same pattern on multiple occasions, each version is bound to be one-of-a-kind, but in this case accuracy is vital to a likeness and I lost it along the way.

I was really saddened by the lack of likeness and I almost abandoned the project. My boyfriend said that I should just continue with it and disregard the original plan: be content with a necklace featuring a vignette of a regal Mayan woman. What do you think?

La Catrina · Leather, Sterling Silver Necklace

Catrina is a representation of Lady Death at her most elegant. Originally depicted in a 1913 etching by Mexican artist Jose Guadalupe Posada, she has become an icon and an archetype.

Her face is adorned with designs similar to those found on sugar skulls which are given to both the living and the dead in celebration of the Dia de los Muertos (Day of the Dead) holiday. A six-pointed star sits at her crown, a shining anatomical heart floats before her chest, and she is flanked with the outspread wings of a bird of prey. La Catrina hangs delicately from a series of faceted, jet black, glass beads reminiscent of a rosary which are then attached to lengths of soft suede lace. The necklace closes with a handmade hook clasp adorned with the same glass beads.

The main pendant was was hand carved and tooled from vegetable-tanned leather and then dyed and painted. Her eyes and heart have a high gloss finish so they glisten in the light. The front of the pendant is sealed with an acrylic coating to ensure that it stays vibrant for a long time to come, but please keep it dry and out of prolonged exposure to direct sunlight to ensure its longevity. It is signed by the artist on the reverse.

measurements • necklace is about 21"(53.3cm) in length; pendant is approximately 3.5"(8.4cm) wide by 3"(7.6cm) long at its broadest points
materials • hand-carved & painted leather, sterling silver wire, glass beads
price • SOLD!